Index of Rhythms

I don’t distinguish here between “rising” and “falling” meters; in other words, I count iambs and trochees as the same, and anapests and dactyls as the same. So the traditional English meters are simply two-syllable and three-syllable meters.

Most of my poems are in two-syllable meters, which of course dominate English metrical poetry. Rhythms which loosely mix two- and three-syllable feet are under “mixed feet” (“logaoedic” is not exactly the right word). Poems with different parts in different meters are under “mixed meters”. Rhythms which are organized at a level larger than the metrical foot are under “sculpted” or are associated with stanza types.

All poems under “free” are parodies.

accentual Beauty Down the Tubes Gizzard Homeland Security Advisory System How to Be a Poet free Arc of the Ankle In the Best Modern Way Ninety-Nine Years of Ogden Nash Ogden Nash Pedestrian Elegy Salutation to a Previous Generation Weekly World News mixed Sweet Dreams mixed feet Blauäugig Capitol Fever Eating Song Evil Bob Dylan - Tangled Up In Blue Evil Bob Dylan - The Carpet’s Not Yellow, It’s Chicken General Advice to Miscreants O Brexit Deal The One Count Oompa Loompa Land Located in North Korea Take a Swan Song and Make It Brighter Worldship mixed meters It’s Time to Rise • And Face the Day Sapphic stanza New Formalists Sapphic-derived stanza Red-Winged Blackbirds sculpted The End of History Instructions from the Clan Chief Layers Reality Star Adultery Seahorse Rocking Chair Speak Now Symmetry Tsiolkovsky Outbound The Two Raindrops syllabic Exploding Haiku Haiku Haiku Turtle and Frogs zilcrino three-syllable The Antichrist The Bailiwick’s Barnacle Bake The Flying Dugong The No Yes Song Obama 2012 On the Tower The Placing of Blame President Double-You Susan Lynn Elliott What Really Makes the World Go Around two-syllable 1463.5 Achilles and Aeneas Advice to Participants in the Illegal Surveillance Programs Afflatus The Age is Hilarious Alexander Pope Examines the RIP Bill Ask Not For Whom the Thunder Rolls The Ballad of Frightening Small Children Barbary Be Not the First Beauty Has Teeth Before a Fall Building Jerusalem Where it Is Now Cake Catherine Civil Debate Climb Parnassus The Closest Full Moon Since The Last Time This Happened The Correct Way to Double the Toil and Trouble The Courtesan Crazy Creation Myth Cupertino Darwin Death, Be Not Sad Deep Learning Desperation Dream: The Roads of Colossi Earth Emily Dickinson Summarized End in Trash Fatherland Fly to Mars Friday Evenings Green Cheese How You Feel When You’re Middling Good I Love U-235 I Write the Ads Immortal Remains Jack and Jill Jesus Dance Kalevala Laser Corneal Ablation Launch the Fireworks! Lexical Semantics Made Simple Literature Trivia Loosening the Sky Loved and Lost Mad Song Make Me a Martian The Masters’ Works Metaphysical Poets Summarized Metazoans are Heterotrophic Miranda on Presidents Mostly Works Moving Van Mutation and Recombination My Candle Myanmar Shave Near-Waking Experience Net Work Neutron Bomb The New Democracy New Formalist Manifesto, First Draft New Formalist Manifesto, Second Draft New Korean War A Note to Artificial Language Designers Obstruction of Justice Oulipo in Summary Peas with Shaving Cream Perdition The Poetry ABC Song The Political Promise Proposed New Air Force Motto Religion and Science Republican Romanticism Summarized Romney 2012 Saint Valentine Santa’s Sleigh Ride at 1000 km/s The Second Vulture The Serbian Ethnic Cleansing Song The Sink Is Full A Story The Sunset Take Me Home, Taxi Ride That Big a Star There Are Different Ways of Looking at Things Tunisia Revolution Twinkle, Twinkle, Little Star U.N. Resolution Walk Off A Water Drop We Were Children What They Do to Food Before Taking its Picture Who Can Know? Why Oh Why Don’t People Still Write This Way? Witch A Word to Matthew Arnold xuncutspi Yankee-Doodle Branding You Only Think You’re Confused Your Mark